C11.2005.00605 |
ANIK SRI WAHYUNI |
SAMANTHA'S MORAL ANXIETY DESCRIBED IN E - LOVE BY CAROLINE PLAISTED |
HARYATI SULISTYORINI |
SARIF SYAMSU RIZAL |
Lulus |
C11.2007.00796 |
ILMA MALA SOFA |
A WOMAN DESIRE TO GET A FREEDOM OF LIFE DESCRIBED IN KATE CHOPIN'S THE AWAKENING |
HARYATI SULISTYORINI |
SARIF SYAMSU RIZAL |
Lulus |
C11.2008.00883 |
V. IGNASIA JANET PRATIWI |
HAMLET'S MAJOR DEPRESSION IN SHAKESPEARE'S HAMLET, PRINCE OF DENMARK |
HARYATI SULISTYORINI |
VALENTINA WIDYA S |
Lulus |
C11.2008.00884 |
PRITA FEBRIANA HAPSARI |
Hedda's Motive to Commit Suicide in Henrik Ibsen's Hedda Gabler. |
HARYATI SULISTYORINI |
SARIF SYAMSU RIZAL |
Lulus |
C11.2008.00887 |
M.SAIQUL HUDA |
LESSONS OF LIFE IN
ALBOM'S THE FIVE PEOPLE YOU MEET IN HEAVEN
|
HARYATI SULISTYORINI |
VALENTINA WIDYA S |
Lulus |
C11.2008.00901 |
FEBRI HIKMAWAN RIFAI |
THE AMBITION OF MR. WILLY WONKA IN ROALD DAHL’S
CHARLIE AND THE CHOCOLATE FACTORY
|
HARYATI SULISTYORINI |
|
Lulus |
C11.2008.00938 |
RADEN ULFA DZIKRIYA |
EGO DEFENCE MECHANISMS OF CHARLIE AS THE MAIN CHARACTER IN CHBOSKY`S THE PERKS OF BEING A WALLFLOWER |
HARYATI SULISTYORINI |
|
Lulus |
C11.2008.00976 |
REZA YUDHA KHARISMA PUTRA |
Ennis Del Mar’s Moral Anxiety
Described in Annie Proulx’s Brokeback Mountain |
HARYATI SULISTYORINI |
|
Lulus |
C11.2009.01041 |
ASTRI VANTI OKTAVIA |
MAGWITCH`S SELF ESTEEM MOTIVE DESCRIBED IN CHARLES DICKEN`S "GREAT EXPECTATIONS" |
HARYATI SULISTYORINI |
|
Lulus |
C11.2009.01048 |
DAYU HAPSARI ARIYATI |
Anna`s efforts towards women`s right equality in Elizabeth Hand`s Anna and the King |
HARYATI SULISTYORINI |
|
Lulus |
C11.2010.01123 |
ANITA MUTIARA PRASETYOWATI |
Hazel`s Struggle Towards thyroid cancer described in John green`s the Fault in Our Stars |
HARYATI SULISTYORINI |
|
Lulus |
C11.2010.01141 |
ABDIANSYAH JAMIN |
Bree Tanner's Anxiety To Trespass And Seek The Truth After Her Short Second Life In Stephenie Meyer's The Short Second Life Of Bree Tanner |
HARYATI SULISTYORINI |
|
Lulus |
C11.2010.01153 |
THORIQ HIDAYAT |
LEADERSHIP REFLECTED BY ROBINSON CRUSOE IN DANIEL DEFOE'S ROBINSON CRUSOE |
HARYATI SULISTYORINI |
|
Lulus |
C11.2010.01181 |
SEBASTIAN PRIESTBUDI |
Mrs. Lisbon Possessiveness towards her daughters described in Jeffrey Eugenides` The Virgin Suicides. |
HARYATI SULISTYORINI |
|
Lulus |
C11.2011.01229 |
BAYU ADE PRABOWO |
THE ABILITY OF INDIGO DANNY TO PREVENT FROM JACK TORRANCE’S MURDER IN STANLEY KUBRICK’S FILM THE SHINING |
HARYATI SULISTYORINI |
|
Lulus |
C11.2011.01238 |
DIAN NUSWANTI |
Kearifan Lokal yang Direfleksikan oleh Santiago Dalam Buku The Alchemist Karangn Paulo Coelho |
HARYATI SULISTYORINI |
|
Lulus |
C11.2011.01270 |
RAHAYU NOFI ANDRIASTUTI |
A Prophecy Reveals An Identity Of Eternity AS Reflected By Gwendolyn Shepherd In Kerstin Giers` Emerald Green |
HARYATI SULISTYORINI |
|
Lulus |
C11.2012.01320 |
ANNURZANI ROCHMAWATI |
THE BAD IMPACTS OF DIVORCE TOWARDS CHILD’S PSYCHOLOGICAL DEVELOPMENT IN THE NOVEL A KISS FOR TOMORROW
BY MAUD JOHNSON
|
HARYATI SULISTYORINI |
|
Lulus |
C11.2012.01345 |
LINDA ARDIANING SUTJIPTO |
Dolly`s Possessiveness in Ruth Rendell`s The Killing Doll |
HARYATI SULISTYORINI |
|
Lulus |
C11.2012.01348 |
AGUS PURWANTO |
LAINE MORRIS’ NEUROTIC ANXIETY OVER DEBBIE’S DEATH IN STILES WHITE’S FILM OUIJA (2014) |
HARYATI SULISTYORINI |
|
Lulus |
C11.2013.01418 |
MUCHAMAD FAISAL TJAKRAWIRIADI |
THE SYMBOLISM OF SACRIFICIAL RITUAL IN DREW GODDARD`S FILM THE CABIN IN THE WOOD |
HARYATI SULISTYORINI |
|
Lulus |
C11.2013.01429 |
RADEN RORO ARDHYA KARTIKA NAWANGSARI |
Self actualization reflected by Emma in Jane Austen`s Emma |
HARYATI SULISTYORINI |
|
Lulus |
C11.2013.01435 |
ADE YUSUF RAMADHAN |
Freedom as Symbolized by The Little Girl in Mark Osborne`s Film The Little Prince |
HARYATI SULISTYORINI |
|
Lulus |
C11.2013.01468 |
CATLEA XMAS RATUSHIMA |
Theodore Finch`s Bipolar Disorder in Jennifer Niven`s All the Bright Places |
HARYATI SULISTYORINI |
|
Lulus |
C11.2014.01491 |
AYYUB NUR RIMAWAN |
Mekanisme Pertahanan Diri yang Ditunjukkan Oleh Admiral Jendral Aladeen Dalam Film Larry Charles Berjudul The Dictator |
HARYATI SULISTYORINI |
|
Lulus |
C11.2014.01513 |
WILDAN SHOLEH RIYANTO |
Studi Semiotika Terhadap Sifat Keserakahan (Pembuktian Bahwa Sifat Egois dan Keras Kepala Sebagai Tindakan Kebenaran) yang Tercermin oleh karakter Chihiro dalam Sebuah Film Karya Hayao Maiyazaki Berjudul "Spirited Away" |
HARYATI SULISTYORINI |
|
Lulus |
C11.2014.01525 |
WIMANTYO RESI HANUROGO |
Kecemasan Evan Treborn yang Digambarkan dalam The Butterfly Effect Oleh Eric Bress |
HARYATI SULISTYORINI |
|
Lulus |
C11.2014.01527 |
YANUAR KHALIF DWI WASTU |
Sebuah Simbolisasi Perilaku Mencuri Sebagai Perjuangan Hidup yang Direfleksikan Oleh Seita dalam Film Karya Isao Takahata Berjudul "Grave of the Fireflies" |
HARYATI SULISTYORINI |
|
Lulus |
C11.2014.01539 |
INVESTIATI CHOIRUNNISA |
DILEMA CAROL DALAM FILM CAROL KARYA TODD HAYNES |
HARYATI SULISTYORINI |
|
Lulus |
C11.2015.01556 |
JEMIMA PANGESTIKA SUSANTO |
Kegigihan Mulan dalam Melawan Tradisi Kerajaan Cina dalam Film Tony Bancroft Mulan |
HARYATI SULISTYORINI |
|
Lulus |
C11.2015.01604 |
ACHMAD KAMAL ARIF MA'RUF |
Pranata Kehidupan di Prentisstown yang termuat di dalam novel karya Patrick Ness berjudul "The Knife of Never Letting Go" |
HARYATI SULISTYORINI |
|
Lulus |
C11.2016.01672 |
DESTIARA ANGGITA PUTRI |
THEODORE FINCH'S SELF DEFENSE MECHANISM IN JENNIFER NIVEN'S NOVEL ALL THE BRIGHT PLACES |
HARYATI SULISTYORINI |
|
Lulus |
C11.2016.01675 |
GURUH PRAJA WIJAYANTO |
CHILDREN'S HOPE SYMBOLIZED JACK FROST'S MOTIVATION TO BE A TRUE GUARDIAN IN PETER RAMSEY'S FILM RISE OF THE GUARDIANS |
HARYATI SULISTYORINI |
|
Lulus |
C11.2016.01686 |
MUHAMMAD NIAM AKBAR |
A SOCIAL CLASH BETWEEN MAJORITIES AND MINORITIES IN COOLIO SONG LYRIC GANGSTA'S PARADISE FEATURING L.V |
HARYATI SULISTYORINI |
|
Lulus |
C11.2016.01687 |
RIFAT HAFIZH |
Shouya`s Regrets Toward Bullying in Naoko Yamada`s film |
HARYATI SULISTYORINI |
|
Lulus |
C11.2016.01709 |
LISA IVENA ALFICORISTA |
BRUNO'S MOTIVE TOWARDS HIS SACRIFICES DESCRIBED IN JOHN BOYNE'S NOVEL "THE BOY IN THE STRIPED PAJAMAS" |
HARYATI SULISTYORINI |
|
Lulus |
C11.2017.01759 |
DIMAS ARDIAN ZULFIKAR |
The Sense of Justice and Humanity reflected by Colonel Dax in Stanley Kubrick`s film Paths of Glory ( A Sociology Analysis on Film ) |
HARYATI SULISTYORINI |
|
Lulus |
C11.2017.01767 |
RAFI ARIANO ARDAN BACHTIAR |
THE FURTHER REPRESENTS THE HOME OF THE LOST SOUL IN JAMES WAN'S FILM INSIDIOUS |
HARYATI SULISTYORINI |
|
Lulus |
C11.2017.01792 |
MUHAMAD OLGANDI ALIFIAN |
ANALISIS SEMIOTIK PADA FILM JON FAVREAU THE LION KING |
HARYATI SULISTYORINI |
|
Lulus |
C11.2017.01840 |
MIFTAHUL RASYID |
Dr. RIEUX'S NEEDS IN ALBERT CAMUS THE PLAGUE |
HARYATI SULISTYORINI |
|
Lulus |
C11.2018.01861 |
KRESNATHAN THEO INDRAJAYA |
CARL'S IDEOLOGY REFLECTION IN THE AMERICAN DREAM IN UP FILM BY PETE DOCTER |
HARYATI SULISTYORINI |
|
Lulus |
C11.2018.01895 |
BELA MOZA PRAMITA |
Amy Dunne`s Defense Mechanism to Overcome her Personality Disorder in David Fincher`s Film Gone Girl |
HARYATI SULISTYORINI |
|
Lulus |
C11.2018.01896 |
SYAFIRA FARAH ARDANA |
Carrie White`s Hierarchy Needs Described in Kimberly Peirce`s Film Carrie |
HARYATI SULISTYORINI |
|
Lulus |
C11.2018.01910 |
MELINDA SARI |
Maria's Split Personality in Assaf Bernstein's Look Away film |
HARYATI SULISTYORINI |
|
Lulus |
C11.2018.01963 |
REZA MUHAMMAD RAYHAN |
GENDER INEQUALITIES IN ` RICH, WHITE, STRAIGHT MEN ` SONG LYRICS BY KESHA |
HARYATI SULISTYORINI |
|
Lulus |
C11.2018.01972 |
FIKRI HAIKAL AKHBAR |
A CANCELED UTOPIAN SOCIETY IN THE GEORGE ORWELL'S ANIMAL FARM |
HARYATI SULISTYORINI |
|
Lulus |