Study Program of
Applied Bachelor of Film and Television
GREETINGS FROM
The Head of Film and Television Study Program
DR RURI SUKO BASUKI M.Kom
The Study Program of Film and Television at Udinus has operated since 2016 under decree No.42/KPT/I/2016., issued by the Ministry of Education, Culture, Research, and Technology of the Republic of Indonesia. Our study program serves as a response to the significant growth of the creative economy sector in Indonesia, particularly in the sub-sectors of film, animation, and video. As such, this study program plays a crucial role in advancing this growing sector by combining quality, quantity, and contextualization to facilitate its development.
The ongoing transition from the virtual community era to the metaverse era has the potential to create a balanced marketing network for various products, including film production. It is proven by the current market of filmmaking that has been widely opened along with positive competition to achieve funding.
Different from the previous funding system, it is usually known that a group of filmmakers must have a strong connection with the investor, sponsor, and philanthropy agencies. Meanwhile, the present film funding has its own market mechanism that requires a comprehensive approach.
In addition to the important active connection between producer and consumer, proper infrastructure such as government, private company, and audience are essential for producing, distributing, and promoting films. The government’s role is to give the right regulation, while the private companies are turning film as the pioneer of intellectual diversity including its audience in placing films that are not merely entertainment but also a form of literary support.
Aiming to give uniqueness in synergizing quality, quantity, and contextual film, the presence of the film and television program at Universtas Dian Nuswantoro (Udinus) becomes the advocate of development to uphold the national film ecosystem.
The Head of Applied Bachelor of Film and Television
Dr. Ruri Suko Basuki, S.Kom., M.Kom
VISION & MISSION
Applied Bachelor of Film and Television
Vision
"Becoming a study program that can generate graduates with production competencies, exhibition and film criticism knowledge supported by technopreneurship capabilities to drive the film industry ecosystem in the scope of the national and international region"
Mission
1. Organizing education that can produce an integrated model between the development of knowledge and technology, the needs of the movie industry, and public demand.
2. Conducting research that combines the skills of film production, exhibition, and criticism with knowledge of human, political, cultural, economic, and legal issues.
3. Conducting social service to educate the community with literacy through film production, film exhibition, and film critique.
4. Enhancing cooperation with domestic and foreign film industry partners to support the implementation of education, research, and community service.
ACCREDITATION
Applied Bachelor of Film and Television
GRADUATE PROFILE
Applied Bachelor of Film and Television
Camera Stylist
A professional in the photography and film industry who is responsible for planning and guiding the visual appearance. A camera stylist also selects suitable clothes, accessories, decorations, makeup, and other aesthetic elements that will be shown during photo shoots or film production.
Editor
Editors are professionals whose job is to revise, edit, and refine written content across various media, including books, articles, magazines, websites, and scripts. The primary responsibilities of an editor include improving language usage, refining structure, and revising writing styles and content.
Sound Designer
A proficient in the audio industry who is responsible for arranging and creating audio elements in multimedia production such as film, theater, video games, and live performances. A sound designer has various tasks, starting from selecting music, designing sounds, editing audio, synchronizing audio, maintaining the usage of audio technology, and a lot more.
Film Journalist
The task of film journalists isn’t far from regular journalists, the difference is that they are only focusing on the film industry. Their primary job is to report and write news, reviews, interviews, and analyses regarding film and entertainment industries in general. These journalists write breaking news about the latest films, film festivals, debut showcases, awards ceremonies, and the latest developments in the film industry. Usually, film journalists often give their critique overview of the quality of the film, acting, and other creative aspects. They can also work with printing media, online platforms, radio, or even television while playing an important role in providing information to the public about the film industry.
Lamp Stylist
A lamp stylist is an individual who manages light exposure in different types of contexts, such as photography, film production, interior decoration, and other specific events. Their job is to create lights in a suitable mood, aesthetic nuance, and other purposes to set visual images. A lamp stylist would choose certain kinds of lamps with specific intensity, and proper placement to achieve the desired result. In the industry of film and photography, a lamp stylist is responsible for making sure that the subject is exposed correctly and appears to be more appealing in a picture or in a scene. During interior decoration, a lamp stylist can create a cozy or dramatic atmosphere with suitable lighting. Understanding lights, lamp technique, and creativity is highly important for lamp stylists to do their job properly.
STUDENTS ACTIVITY
Applied Bachelor of Film and Television
Kurikulum
Applied Bachelor of Film and Television
| No | Kode | Mata Kuliah | SKS | Semester |
|---|---|---|---|---|
| 1 | N201702 | Bahasa Inggris | 2 | 1 |
| 2 | N2017053 | PENDIDIKAN AGAMA KRISTEN | 2 | 1 |
| 3 | AF201701 | Pengantar Teknologi Informasi | 2 | 1 |
| 4 | N2017054 | PENDIDIKAN AGAMA BUDHA | 2 | 1 |
| 5 | A16.1A106 | CREATIVE AND INNOVATIVE THINKING | 3 | 1 |
| 6 | N2017055 | PENDIDIKAN AGAMA HINDU | 2 | 1 |
| 7 | A16.1A107 | Sejarah Kebudayaan Indonesia | 2 | 1 |
| 8 | A16.1A109 | Membaca Film Indonesia | 3 | 1 |
| 9 | N2017051 | PENDIDIKAN AGAMA ISLAM | 2 | 1 |
| 10 | A16.1A108 | Basic Sinematografi | 3 | 1 |
| 11 | U201704 | Pengantar Teknologi Informasi | 2 | 1 |
| 12 | N2017052 | PENDIDIKAN AGAMA KATOLIK | 2 | 1 |
| 13 | N201706 | Pendidikan Kewarganegaraan | 2 | 1 |
| 14 | A16.1A402 | Editing 1 | 3 | 1 |
| 15 | A16.1103 | Dasar Manajemen Film | 3 | 1 |
| 16 | A16.1102 | Tata Gambar Film 1 | 3 | 1 |
| 17 | A16.1104 | Editing Film 1 | 2 | 1 |
| 18 | A16.1105 | Studio Film Indonesia | 3 | 1 |
| 19 | A16.1101 | Dasar Penceritaan Film | 3 | 1 |
| 20 | AF201704 | Dasar Dasar Komputasi | 2 | 1 |
| 21 | A16.2106 | Editing Film 2 | 2 | 2 |
| 22 | A16.1A504 | Editing 2 | 3 | 2 |
| 23 | A16.2103 | Desain Sound 1 | 2 | 2 |
| 24 | A16.2010 | Tata Bentuk Film Dokumenter | 3 | 2 |
| 25 | A16.1A203 | Analisa Teks Karya Ilmiah & Sastra | 3 | 2 |
| 26 | A16.1A205 | Estetika Bentuk Film | 3 | 2 |
| 27 | A16.1A206 | Sejarah Sinematografi | 3 | 2 |
| 28 | A16.1A403 | Desain Sound 1 | 3 | 2 |
| 29 | A16.1A208 | Pengantar Ilmu Komunikasi | 2 | 2 |
| 30 | A16.1A405 | Metode Penulisan Ilmiah Film 1 | 3 | 2 |
| 31 | A16.2105 | Tata Gambar Film 2 | 3 | 2 |
| 32 | A16.2104 | Tata Artistik Film 1 | 3 | 2 |
| 33 | A16.2102 | Manajemen Produksi Film 1 | 3 | 2 |
| 34 | A16.2107 | Riset Film 1 | 3 | 2 |
| 35 | A16.1A305 | Psikologi Film | 3 | 3 |
| 36 | A16.1A306 | Geografi Film Indonesia | 3 | 3 |
| 37 | A16.1A307 | Membaca Film Amerika Utara | 3 | 3 |
| 38 | A16.1A505 | Desain Sound 2 | 3 | 3 |
| 39 | A16.3102 | Tata Gambar Film 3 | 3 | 3 |
| 40 | AF201703 | TECHNOPRENEURSHIP | 2 | 3 |
| 41 | A16.3107 | Riset Film 2 | 3 | 3 |
| 42 | A16.3101 | Tata Bentuk Film Fiksi | 3 | 3 |
| 43 | A16.3103 | Editing Film 3 | 2 | 3 |
| 44 | A16.1A604 | Metode Penulisan Ilmiah Film 2 | 3 | 3 |
| 45 | A16.3105 | Manajemen Produksi Film 2 | 3 | 3 |
| 46 | A16.3104 | Desain Sound 2 | 2 | 3 |
| 47 | A16.3106 | Tata Artistik Film 2 | 3 | 3 |
| 48 | A16.1A301 | Teknik FIlm Naratif | 3 | 3 |
| 49 | A16.1A502 | Video Art & Industrial | 3 | 3 |
| 50 | B11.6405 | Pemasaran Digital | 3 | 4 |
| 51 | A16.1A508 | Desain Brand | 3 | 4 |
| 52 | AF201702 | Literasi Informasi | 2 | 4 |
| 53 | A16.1A401 | Desain Produksi | 3 | 4 |
| 54 | A16.1A603 | Desain Eksibisi Film | 3 | 4 |
| 55 | A15.21403 | Pengelolaan Konten Digital | 3 | 4 |
| 56 | A16.1A207 | Penulisan Kreatif Persuasif | 2 | 4 |
| 57 | A16.4104 | Manajemen Acara | 3 | 4 |
| 58 | A16.1A209 | HaKI & Regulasi Perfilman-Penyiaran | 2 | 4 |
| 59 | A16.1A406 | Etnografi Foto dan Film | 3 | 4 |
| 60 | A16.4103 | Riset Film 3 | 3 | 4 |
| 61 | U201701 | Dasar Kewirausahaan | 2 | 4 |
| 62 | A16.4102 | Teknik Pemutaran Film | 3 | 4 |
| 63 | A16.4105 | Tata Suara Pemutaran Film | 3 | 4 |
| 64 | A16.4101 | Desain Program Pemutaran Film | 3 | 4 |
| 65 | A16.4106 | Strategi Promosi Film | 3 | 4 |
| 66 | A16.5105 | Teknik Presentasi | 3 | 5 |
| 67 | A16.1A503 | Teknik Kepengarangan Film | 3 | 5 |
| 68 | A16.5104 | Manajemen Kerja Videografi | 3 | 5 |
| 69 | A16.5103 | Desain Produk | 3 | 5 |
| 70 | A16.5101 | Metode Riset Produk 1 | 3 | 5 |
| 71 | A16.5102 | Desain Konten Videografi | 3 | 5 |
| 72 | A16.1A204 | Analisa Film 1 | 2 | 5 |
| 73 | A16.1A103 | PENDIDIKAN AGAMA | 2 | 5 |
| 74 | A16.1A104 | PENDIDIKAN KEWARGANEGARAAN | 2 | 5 |
| 75 | A16.1A404 | Studio 1 | 3 | 5 |
| 76 | U201703 | Kewirausahaan Lanjut | 2 | 5 |
| 77 | A16.1A303 | Film Dokumenter Jurnalistik | 3 | 5 |
| 78 | A16.1A704 | Context Study | 3 | 5 |
| 79 | A16.6101 | Metode Riset Produk 2 | 3 | 6 |
| 80 | A16.1A602 | Membaca Film Eropa | 3 | 6 |
| 81 | A16.6102 | Programasi Film Komersial | 3 | 6 |
| 82 | A16.6103 | Manajemen Operasional Eksibisi | 3 | 6 |
| 83 | A16.6104 | Bisnis Pemutaran Film | 3 | 6 |
| 84 | A16.1A605 | Film Dokumenter Indonesia | 3 | 6 |
| 85 | A16.6105 | Tata Rupa Eksibisi | 3 | 6 |
| 86 | A14.27615 | FOTOGRAFI DESAIN | 3 | 6 |
| 87 | A16.1A607 | Pasar Film | 3 | 6 |
| 88 | N201707 | PENDIDIKAN PANCASILA | 2 | 6 |
| 89 | A16.1A701 | Film dan Teater Indonesia | 3 | 6 |
| 90 | N201701 | Bahasa Indonesia | 2 | 6 |
| 91 | A16.1A703 | Membaca Film Asia | 3 | 6 |
| 92 | A16.1A304 | Analisa Film 2 | 2 | 6 |
| 93 | A16.1A506 | Studio 2 | 3 | 7 |
| 94 | A16.1A601 | Analisa Film 3 | 2 | 7 |
| 95 | A16.1A708 | Kuliah Kerja Industri | 4 | 7 |
| 96 | A16.1A606 | Film dan Sastra Indonesia | 3 | 7 |
| 97 | A16.7107 | Bimbingan Karier | 2 | 7 |
| 98 | A16.7103 | Manajemen Kerja Visual | 3 | 7 |
| 99 | A16.7104 | Manajemen Kerja Penyutradaraan | 3 | 7 |
| 100 | A16.1A702 | Teknik Multilayer Filmmaking | 3 | 7 |
| 101 | A16.7105 | Manajemen Kerja Sound | 3 | 7 |
| 102 | A16.1A302 | Film Sound | 3 | 7 |
| 103 | A16.7102 | Production Designer | 3 | 7 |
| 104 | A16.7101 | Metode Riset Produk 3 | 3 | 7 |
| 105 | A16.1A706 | Teknik Pemasaran Eksibisi Film | 3 | 7 |
| 106 | A16.1A802 | Tugas Akhir | 6 | 8 |
| 107 | A16.1A801 | Seminar / Pitching Karya | 3 | 8 |
| 108 | A16.1A705 | Teknik Pemasaran Produksi Film | 3 | 8 |