Study Program of
Applied Bachelor of Film and Television
GREETINGS FROM
The Head of Film and Television Study Program
Dr. Ruri Suko Basuki, S.Kom., M.Kom.
The Study Program of Film and Television at Udinus has operated since 2016 under decree No.42/KPT/I/2016., issued by the Ministry of Education, Culture, Research, and Technology of the Republic of Indonesia. Our study program serves as a response to the significant growth of the creative economy sector in Indonesia, particularly in the sub-sectors of film, animation, and video. As such, this study program plays a crucial role in advancing this growing sector by combining quality, quantity, and contextualization to facilitate its development.
The ongoing transition from the virtual community era to the metaverse era has the potential to create a balanced marketing network for various products, including film production. It is proven by the current market of filmmaking that has been widely opened along with positive competition to achieve funding.
Different from the previous funding system, it is usually known that a group of filmmakers must have a strong connection with the investor, sponsor, and philanthropy agencies. Meanwhile, the present film funding has its own market mechanism that requires a comprehensive approach.
In addition to the important active connection between producer and consumer, proper infrastructure such as government, private company, and audience are essential for producing, distributing, and promoting films. The government’s role is to give the right regulation, while the private companies are turning film as the pioneer of intellectual diversity including its audience in placing films that are not merely entertainment but also a form of literary support.
Aiming to give uniqueness in synergizing quality, quantity, and contextual film, the presence of the film and television program at Universtas Dian Nuswantoro (Udinus) becomes the advocate of development to uphold the national film ecosystem.
The Head of Applied Bachelor of Film and Television
Dr. Ruri Suko Basuki, S.Kom., M.Kom
VISION & MISSION
Applied Bachelor of Film and Television
Vision
"Becoming a study program that can generate graduates with production competencies, exhibition and film criticism knowledge supported by technopreneurship capabilities to drive the film industry ecosystem in the scope of the national and international region"
Mission
1. Organizing education that can produce an integrated model between the development of knowledge and technology, the needs of the movie industry, and public demand.
2. Conducting research that combines the skills of film production, exhibition, and criticism with knowledge of human, political, cultural, economic, and legal issues.
3. Conducting social service to educate the community with literacy through film production, film exhibition, and film critique.
4. Enhancing cooperation with domestic and foreign film industry partners to support the implementation of education, research, and community service.
ACCREDITATION
Applied Bachelor of Film and Television
GRADUATE PROFILE
Applied Bachelor of Film and Television
Camera Stylist
A professional in the photography and film industry who is responsible for planning and guiding the visual appearance. A camera stylist also selects suitable clothes, accessories, decorations, makeup, and other aesthetic elements that will be shown during photo shoots or film production.
Editor
Editors are professionals whose job is to revise, edit, and refine written content across various media, including books, articles, magazines, websites, and scripts. The primary responsibilities of an editor include improving language usage, refining structure, and revising writing styles and content.
Sound Designer
A proficient in the audio industry who is responsible for arranging and creating audio elements in multimedia production such as film, theater, video games, and live performances. A sound designer has various tasks, starting from selecting music, designing sounds, editing audio, synchronizing audio, maintaining the usage of audio technology, and a lot more.
Film Journalist
The task of film journalists isn’t far from regular journalists, the difference is that they are only focusing on the film industry. Their primary job is to report and write news, reviews, interviews, and analyses regarding film and entertainment industries in general. These journalists write breaking news about the latest films, film festivals, debut showcases, awards ceremonies, and the latest developments in the film industry. Usually, film journalists often give their critique overview of the quality of the film, acting, and other creative aspects. They can also work with printing media, online platforms, radio, or even television while playing an important role in providing information to the public about the film industry.
Lamp Stylist
A lamp stylist is an individual who manages light exposure in different types of contexts, such as photography, film production, interior decoration, and other specific events. Their job is to create lights in a suitable mood, aesthetic nuance, and other purposes to set visual images. A lamp stylist would choose certain kinds of lamps with specific intensity, and proper placement to achieve the desired result. In the industry of film and photography, a lamp stylist is responsible for making sure that the subject is exposed correctly and appears to be more appealing in a picture or in a scene. During interior decoration, a lamp stylist can create a cozy or dramatic atmosphere with suitable lighting. Understanding lights, lamp technique, and creativity is highly important for lamp stylists to do their job properly.
STUDENTS ACTIVITY
Applied Bachelor of Film and Television
Kurikulum
Applied Bachelor of Film and Television
| No | Kode | Mata Kuliah | SKS | Semester |
|---|---|---|---|---|
| 1 | N2017055 | PENDIDIKAN AGAMA HINDU | 2 | 1 |
| 2 | AF201704 | Praktikum Pengantar Teknologi Informasi | 2 | 1 |
| 3 | A16.1A208 | PENGANTAR ILMU KOMUNIKASI | 2 | 1 |
| 4 | N2017051 | PENDIDIKAN AGAMA ISLAM | 2 | 1 |
| 5 | N2017052 | PENDIDIKAN AGAMA KATOLIK | 2 | 1 |
| 6 | AF201701 | PENGANTAR TEKNOLOGI INFORMASI | 2 | 1 |
| 7 | N2017056 | PENDIDIKAN AGAMA KONG HU CHU | 2 | 1 |
| 8 | A16.21001 | Sinematografi | 3 | 1 |
| 9 | A16.1A102 | BAHASA INDONESIA | 2 | 1 |
| 10 | A16.21004 | Hukum dan Etika Media | 3 | 1 |
| 11 | A16.1A103 | PENDIDIKAN AGAMA | 2 | 1 |
| 12 | A16.21003 | Literasi Media dan Komunikasi | 3 | 1 |
| 13 | A16.1A104 | PENDIDIKAN KEWARGANEGARAAN | 2 | 1 |
| 14 | A16.21002 | Tata Rupa Film | 3 | 1 |
| 15 | A16.1A105 | BAHASA INGGRIS I | 2 | 1 |
| 16 | A16.1A106 | CREATIVE AND INNOVATIVE THINKING | 3 | 1 |
| 17 | A16.1A107 | Sejarah Kebudayaan Indonesia | 2 | 1 |
| 18 | A16.24002 | Tata Artistik dan Desain Produksi | 3 | 1 |
| 19 | A16.1A108 | BASIC SINEMATOGRAFI | 3 | 1 |
| 20 | A16.1A109 | Membaca Film Indonesia | 3 | 1 |
| 21 | A16.1103 | Dasar Manajemen Film | 3 | 1 |
| 22 | U201704 | Pengantar Teknologi Informasi | 2 | 1 |
| 23 | A16.1102 | Tata Gambar Film 1 | 3 | 1 |
| 24 | N201705 | Pendidikan Agama | 2 | 1 |
| 25 | A16.1104 | Editing Film 1 | 2 | 1 |
| 26 | N201706 | Pendidikan Kewarganegaraan | 2 | 1 |
| 27 | A16.1105 | Studio Film Indonesia | 3 | 1 |
| 28 | N2017053 | PENDIDIKAN AGAMA KRISTEN | 2 | 1 |
| 29 | A16.1101 | Dasar Penceritaan Film | 3 | 1 |
| 30 | N2017054 | PENDIDIKAN AGAMA BUDHA | 2 | 1 |
| 31 | N201702 | Bahasa Inggris | 2 | 1 |
| 32 | A16.2104 | Tata Artistik Film 1 | 3 | 2 |
| 33 | A16.22003 | Video Editing | 3 | 2 |
| 34 | A16.2102 | Manajemen Produksi Film 1 | 3 | 2 |
| 35 | N201707 | Pendidikan Pancasila | 2 | 2 |
| 36 | A16.22005 | Filmologi Asia | 3 | 2 |
| 37 | A16.1A209 | HaKI & REGULASI PERFILMAN-PENYIARAN | 2 | 2 |
| 38 | A16.2107 | Riset Film 1 | 3 | 2 |
| 39 | A16.22004 | Publisitas Film | 3 | 2 |
| 40 | A16.2106 | Editing Film 2 | 2 | 2 |
| 41 | A16.22002 | Manajemen Produksi Televisi | 3 | 2 |
| 42 | N201701 | Bahasa Indonesia | 2 | 2 |
| 43 | A16.2103 | Desain Sound 1 | 2 | 2 |
| 44 | A16.22001 | Teori Komuinikasi Massa | 3 | 2 |
| 45 | A16.2010 | Tata Bentuk Film Dokumenter | 3 | 2 |
| 46 | N201703 | BAHASA INGGRIS 2 | 2 | 2 |
| 47 | A16.1A203 | ANALISA TEKS KARYA ILMIAH & SASTRA | 3 | 2 |
| 48 | A16.1A204 | ANALISA FILM 1 | 2 | 2 |
| 49 | A16.1A205 | ESTETIKA BENTUK FILM | 3 | 2 |
| 50 | A16.1A206 | SEJARAH SINEMATOGRAFI | 3 | 2 |
| 51 | A16.2105 | Tata Gambar Film 2 | 3 | 2 |
| 52 | A16.1A207 | PENULISAN KREATIF PERSUASIF | 2 | 2 |
| 53 | A16.1A301 | Teknik FIlm Naratif | 3 | 3 |
| 54 | A16.1A302 | Film Sound | 3 | 3 |
| 55 | A16.1A303 | Film Dokumenter Jurnalistik | 3 | 3 |
| 56 | A16.23004 | Filsafat Media | 3 | 3 |
| 57 | A16.1A304 | ANALISA FILM 2 | 2 | 3 |
| 58 | A16.3102 | Tata Gambar Film 3 | 3 | 3 |
| 59 | A16.1A305 | Psikologi Film | 3 | 3 |
| 60 | A16.3107 | Riset Film 2 | 3 | 3 |
| 61 | A16.1A306 | Geografi Film Indonesia | 3 | 3 |
| 62 | A16.3101 | Tata Bentuk Film Fiksi | 3 | 3 |
| 63 | A16.1A307 | Membaca Film Amerika Utara | 3 | 3 |
| 64 | A16.3103 | Editing Film 3 | 2 | 3 |
| 65 | A16.3105 | Manajemen Produksi Film 2 | 3 | 3 |
| 66 | A16.3104 | Desain Sound 2 | 2 | 3 |
| 67 | A16.23006 | Riset Media dan Khalayak | 3 | 3 |
| 68 | A16.3106 | Tata Artistik Film 2 | 3 | 3 |
| 69 | A16.23005 | Penulisan Program Televisi | 3 | 3 |
| 70 | A16.23003 | Film Dokumenter Kreatif | 3 | 3 |
| 71 | A16.23002 | Etnografi Film | 3 | 3 |
| 72 | A16.23001 | Cinema Verite Practice | 3 | 3 |
| 73 | A16.4105 | Tata Suara Pemutaran Film | 3 | 4 |
| 74 | A16.1A403 | Desain Sound 1 | 3 | 4 |
| 75 | A16.4101 | Desain Program Pemutaran Film | 3 | 4 |
| 76 | A16.1A404 | Studio 1 | 3 | 4 |
| 77 | A16.4106 | Strategi Promosi Film | 3 | 4 |
| 78 | A16.1A405 | Metode Penulisan Ilmiah Film 1 | 3 | 4 |
| 79 | A16.1A406 | Etnografi Foto dan Film | 3 | 4 |
| 80 | U201701 | Dasar Kewirausahaan | 2 | 4 |
| 81 | A16.24005 | Restorasi Mitos | 3 | 4 |
| 82 | B11.6405 | Pemasaran Digital | 3 | 4 |
| 83 | A16.24004 | Produksi Film Kecerdasan Buatan | 3 | 4 |
| 84 | A16.24006 | Penceritaan Film Televisi | 3 | 4 |
| 85 | A15.21403 | Pengelolaan Konten Digital | 3 | 4 |
| 86 | A16.24003 | Grafik dan Efek Visual | 3 | 4 |
| 87 | A16.24001 | Produksi Studio | 3 | 4 |
| 88 | A16.4107 | Strategi Promosi Film | 3 | 4 |
| 89 | A16.4104 | Manajemen Acara | 3 | 4 |
| 90 | AF201702 | Literasi Informasi | 2 | 4 |
| 91 | A16.4103 | Riset Film 3 | 3 | 4 |
| 92 | A16.1A401 | Desain Produksi | 3 | 4 |
| 93 | A16.4102 | Teknik Pemutaran Film | 3 | 4 |
| 94 | A16.1A402 | Editing 1 | 3 | 4 |
| 95 | A16.1A606 | Film dan Sastra Indonesia | 3 | 5 |
| 96 | A16.5105 | Teknik Presentasi | 3 | 5 |
| 97 | AF201703 | TECHNOPRENEURSHIP | 2 | 5 |
| 98 | A16.5104 | Manajemen Kerja Videografi | 3 | 5 |
| 99 | A16.1A508 | Desain Brand | 3 | 5 |
| 100 | A16.5103 | Desain Produk | 3 | 5 |
| 101 | U201703 | Kewirausahaan Lanjut | 2 | 5 |
| 102 | A16.5101 | Metode Riset Produk 1 | 3 | 5 |
| 103 | A16.5102 | Desain Konten Videografi | 3 | 5 |
| 104 | A16.1A502 | Video Art & Industrial | 3 | 5 |
| 105 | A16.25001 | Cinema Obscura Practice | 3 | 5 |
| 106 | A16.1A503 | Teknik Kepengarangan Film | 3 | 5 |
| 107 | A16.25002 | Autoetnografi Film | 3 | 5 |
| 108 | A16.1A504 | Editing 2 | 3 | 5 |
| 109 | A16.25003 | Craftmanship Film | 3 | 5 |
| 110 | A16.1A505 | Desain Sound 2 | 3 | 5 |
| 111 | A16.25004 | Industri Media | 3 | 5 |
| 112 | A16.1A506 | Studio 2 | 3 | 5 |
| 113 | A16.25005 | Penyutradaraan Program Digital | 3 | 5 |
| 114 | A16.25006 | Pengembangan Cerita dan Intellectual Property Kreatif | 3 | 5 |
| 115 | A16.25007 | Desain Sound | 2 | 5 |
| 116 | A16.1A604 | Metode Penulisan Ilmiah Film 2 | 3 | 6 |
| 117 | A16.26004 | Program Pemutaran Film | 3 | 6 |
| 118 | A16.1A605 | Film Dokumenter Indonesia | 3 | 6 |
| 119 | A16.26005 | Inkubasi Produk Media | 3 | 6 |
| 120 | A16.26006 | Pratika Pemutaran Film | 3 | 6 |
| 121 | A16.1A607 | Pasar Film | 3 | 6 |
| 122 | A16.26007 | Artikel Ilmiah | 2 | 6 |
| 123 | A16.1A608 | Politik Selera Pemutaran Film | 3 | 6 |
| 124 | A16.1A609 | Politik Media Informasi | 3 | 6 |
| 125 | A16.1A701 | Film dan Teater Indonesia | 3 | 6 |
| 126 | A16.1A704 | Context Study | 3 | 6 |
| 127 | A16.1A702 | Teknik Multilayer Filmmaking | 3 | 6 |
| 128 | A16.1A703 | Membaca Film Asia | 3 | 6 |
| 129 | A16.6101 | Metode Riset Produk 2 | 3 | 6 |
| 130 | A14.27615 | FOTOGRAFI DESAIN | 3 | 6 |
| 131 | A16.6102 | Programasi Film Komersial | 3 | 6 |
| 132 | A16.6103 | Manajemen Operasional Eksibisi | 3 | 6 |
| 133 | A16.6104 | Bisnis Pemutaran Film | 3 | 6 |
| 134 | A16.6105 | Tata Rupa Eksibisi | 3 | 6 |
| 135 | A16.1A601 | Analisa Film 3 | 2 | 6 |
| 136 | A16.26002 | Ekonomi Kreatif dan Monetisasi | 3 | 6 |
| 137 | A16.1A602 | Membaca Film Eropa | 3 | 6 |
| 138 | A16.26001 | Produksi Program Live | 3 | 6 |
| 139 | A16.1A603 | Desain Eksibisi Film | 3 | 6 |
| 140 | A16.26003 | Manajemen Konten Digital | 3 | 6 |
| 141 | A16.7105 | Manajemen Kerja Sound | 3 | 7 |
| 142 | A16.7102 | Production Designer | 3 | 7 |
| 143 | A16.7101 | Metode Riset Produk 3 | 3 | 7 |
| 144 | A16.27001 | Magang Industri | 4 | 7 |
| 145 | A16.27002 | Bimbingan Karir | 3 | 7 |
| 146 | A16.1A708 | Kuliah Kerja Industri | 4 | 7 |
| 147 | A16.27004 | Workshop Film dan Televisi | 3 | 7 |
| 148 | A16.27003 | Project Development | 3 | 7 |
| 149 | A16.1A706 | Teknik Pemasaran Eksibisi Film | 3 | 7 |
| 150 | A16.7106 | Kuliah Kerja Industri | 4 | 7 |
| 151 | A16.1A707 | Teknik Penulisan Berita | 3 | 7 |
| 152 | A16.7107 | Bimbingan Karier | 2 | 7 |
| 153 | A16.7103 | Manajemen Kerja Visual | 3 | 7 |
| 154 | A16.7104 | Manajemen Kerja Penyutradaraan | 3 | 7 |
| 155 | A16.28002 | Tugas Akhir | 6 | 8 |
| 156 | A16.1A705 | Teknik Pemasaran Produksi Film | 3 | 8 |
| 157 | A16.28001 | Pitching Produksi Film / Televisi | 3 | 8 |
| 158 | A16.1A801 | Seminar / Pitching Karya | 3 | 8 |
| 159 | A16.1A802 | Tugas Akhir | 6 | 8 |