Study Program of
Applied Bachelor of Film and Television
GREETINGS FROM
The Head of Film and Television Study Program
Dr. Ruri Suko Basuki, S.Kom., M.Kom.
The Study Program of Film and Television at Udinus has operated since 2016 under decree No.42/KPT/I/2016., issued by the Ministry of Education, Culture, Research, and Technology of the Republic of Indonesia. Our study program serves as a response to the significant growth of the creative economy sector in Indonesia, particularly in the sub-sectors of film, animation, and video. As such, this study program plays a crucial role in advancing this growing sector by combining quality, quantity, and contextualization to facilitate its development.
The ongoing transition from the virtual community era to the metaverse era has the potential to create a balanced marketing network for various products, including film production. It is proven by the current market of filmmaking that has been widely opened along with positive competition to achieve funding.
Different from the previous funding system, it is usually known that a group of filmmakers must have a strong connection with the investor, sponsor, and philanthropy agencies. Meanwhile, the present film funding has its own market mechanism that requires a comprehensive approach.
In addition to the important active connection between producer and consumer, proper infrastructure such as government, private company, and audience are essential for producing, distributing, and promoting films. The government’s role is to give the right regulation, while the private companies are turning film as the pioneer of intellectual diversity including its audience in placing films that are not merely entertainment but also a form of literary support.
Aiming to give uniqueness in synergizing quality, quantity, and contextual film, the presence of the film and television program at Universtas Dian Nuswantoro (Udinus) becomes the advocate of development to uphold the national film ecosystem.
The Head of Applied Bachelor of Film and Television
Dr. Ruri Suko Basuki, S.Kom., M.Kom
VISION & MISSION
Applied Bachelor of Film and Television
Vision
"Becoming a study program that can generate graduates with production competencies, exhibition and film criticism knowledge supported by technopreneurship capabilities to drive the film industry ecosystem in the scope of the national and international region"
Mission
1. Organizing education that can produce an integrated model between the development of knowledge and technology, the needs of the movie industry, and public demand.
2. Conducting research that combines the skills of film production, exhibition, and criticism with knowledge of human, political, cultural, economic, and legal issues.
3. Conducting social service to educate the community with literacy through film production, film exhibition, and film critique.
4. Enhancing cooperation with domestic and foreign film industry partners to support the implementation of education, research, and community service.
ACCREDITATION
Applied Bachelor of Film and Television
GRADUATE PROFILE
Applied Bachelor of Film and Television
Camera Stylist
A professional in the photography and film industry who is responsible for planning and guiding the visual appearance. A camera stylist also selects suitable clothes, accessories, decorations, makeup, and other aesthetic elements that will be shown during photo shoots or film production.
Editor
Editors are professionals whose job is to revise, edit, and refine written content across various media, including books, articles, magazines, websites, and scripts. The primary responsibilities of an editor include improving language usage, refining structure, and revising writing styles and content.
Sound Designer
A proficient in the audio industry who is responsible for arranging and creating audio elements in multimedia production such as film, theater, video games, and live performances. A sound designer has various tasks, starting from selecting music, designing sounds, editing audio, synchronizing audio, maintaining the usage of audio technology, and a lot more.
Film Journalist
The task of film journalists isn’t far from regular journalists, the difference is that they are only focusing on the film industry. Their primary job is to report and write news, reviews, interviews, and analyses regarding film and entertainment industries in general. These journalists write breaking news about the latest films, film festivals, debut showcases, awards ceremonies, and the latest developments in the film industry. Usually, film journalists often give their critique overview of the quality of the film, acting, and other creative aspects. They can also work with printing media, online platforms, radio, or even television while playing an important role in providing information to the public about the film industry.
Lamp Stylist
A lamp stylist is an individual who manages light exposure in different types of contexts, such as photography, film production, interior decoration, and other specific events. Their job is to create lights in a suitable mood, aesthetic nuance, and other purposes to set visual images. A lamp stylist would choose certain kinds of lamps with specific intensity, and proper placement to achieve the desired result. In the industry of film and photography, a lamp stylist is responsible for making sure that the subject is exposed correctly and appears to be more appealing in a picture or in a scene. During interior decoration, a lamp stylist can create a cozy or dramatic atmosphere with suitable lighting. Understanding lights, lamp technique, and creativity is highly important for lamp stylists to do their job properly.
STUDENTS ACTIVITY
Applied Bachelor of Film and Television
Kurikulum
Applied Bachelor of Film and Television
| No | Kode | Mata Kuliah | SKS | Semester |
|---|---|---|---|---|
| 1 | N2017053 | PENDIDIKAN AGAMA KRISTEN | 2 | 1 |
| 2 | N2017052 | PENDIDIKAN AGAMA KATOLIK | 2 | 1 |
| 3 | A16.1103 | Dasar Manajemen Film | 3 | 1 |
| 4 | N2017051 | PENDIDIKAN AGAMA ISLAM | 2 | 1 |
| 5 | N201701 | Bahasa Indonesia | 2 | 1 |
| 6 | A16.2106 | Editing Film 2 | 2 | 1 |
| 7 | A16.1105 | Studio Film Indonesia | 3 | 1 |
| 8 | A16.21001 | Sinematografi | 3 | 1 |
| 9 | A16.21004 | Hukum dan Etika Media | 3 | 1 |
| 10 | A16.24002 | Tata Artistik dan Desain Produksi | 3 | 1 |
| 11 | N201707 | PENDIDIKAN PANCASILA | 2 | 1 |
| 12 | A16.21003 | Literasi Media dan Komunikasi | 3 | 1 |
| 13 | AF201701 | Pengantar Teknologi Informasi | 2 | 1 |
| 14 | A16.21002 | Tata Rupa Film | 3 | 1 |
| 15 | N201706 | Pendidikan Kewarganegaraan | 2 | 1 |
| 16 | U201704 | PENGANTAR TEKNOLOGI INFORMASI | 2 | 1 |
| 17 | AF201704 | Dasar-Dasar Komputasi | 2 | 1 |
| 18 | N201702 | Bahasa Inggris | 2 | 1 |
| 19 | N2017056 | PENDIDIKAN AGAMA KONG HU CHU | 2 | 1 |
| 20 | N2017055 | PENDIDIKAN AGAMA HINDU | 2 | 1 |
| 21 | A16.1101 | Dasar Penceritaan Film | 3 | 1 |
| 22 | N2017054 | PENDIDIKAN AGAMA BUDHA | 2 | 1 |
| 23 | A16.1102 | Tata Gambar Film 1 | 3 | 1 |
| 24 | A16.22004 | Publisitas Film | 3 | 2 |
| 25 | A16.2105 | Tata Gambar Film 2 | 3 | 2 |
| 26 | A16.22002 | Manajemen Produksi Televisi | 3 | 2 |
| 27 | A16.22001 | Teori Komuinikasi Massa | 3 | 2 |
| 28 | A16.1104 | Editing Film 1 | 2 | 2 |
| 29 | A16.2010 | Tata Bentuk Film Dokumenter | 3 | 2 |
| 30 | A16.2102 | Manajemen Produksi Film 1 | 3 | 2 |
| 31 | A16.2103 | Desain Sound 1 | 2 | 2 |
| 32 | A16.2104 | Tata Artistik Film 1 | 3 | 2 |
| 33 | A16.2107 | Riset Film 1 | 3 | 2 |
| 34 | A16.22003 | Video Editing | 3 | 2 |
| 35 | A16.22005 | Filmologi Asia | 3 | 2 |
| 36 | A16.3107 | Riset Film 2 | 3 | 3 |
| 37 | A16.23004 | Filsafat Media | 3 | 3 |
| 38 | AF201703 | Technopreneurship | 2 | 3 |
| 39 | A16.23006 | Riset Media dan Khalayak | 3 | 3 |
| 40 | A16.23005 | Penulisan Program Televisi | 3 | 3 |
| 41 | A16.23003 | Film Dokumenter Kreatif | 3 | 3 |
| 42 | A16.3101 | Tata Bentuk Film Fiksi | 3 | 3 |
| 43 | A16.23002 | Etnografi Film | 3 | 3 |
| 44 | A16.3102 | Tata Gambar Film 3 | 3 | 3 |
| 45 | A16.23001 | Cinema Verite Practice | 3 | 3 |
| 46 | A16.3106 | Tata Artistik Film 2 | 3 | 3 |
| 47 | A16.3103 | Editing Film 3 | 2 | 3 |
| 48 | A16.3104 | Desain Sound 2 | 2 | 3 |
| 49 | A16.3105 | Manajemen Produksi Film 2 | 3 | 3 |
| 50 | A16.24004 | Produksi Film Kecerdasan Buatan | 3 | 4 |
| 51 | A16.24005 | Restorasi Mitos | 3 | 4 |
| 52 | A16.24003 | Grafik dan Efek Visual | 3 | 4 |
| 53 | A16.24006 | Penceritaan Film Televisi | 3 | 4 |
| 54 | A16.24001 | Produksi Studio | 3 | 4 |
| 55 | A16.4103 | Riset Film 3 | 3 | 4 |
| 56 | A16.4101 | Desain Program Pemutaran Film | 3 | 4 |
| 57 | A16.4102 | Teknik Pemutaran Film | 3 | 4 |
| 58 | A16.4104 | Manajemen Acara | 3 | 4 |
| 59 | AF201702 | Literasi Informasi | 2 | 4 |
| 60 | A16.4105 | Tata Suara Pemutaran Film | 3 | 4 |
| 61 | A16.4107 | Strategi Promosi Film | 3 | 4 |
| 62 | A16.5101 | Metode Riset Produk 1 | 3 | 5 |
| 63 | A16.5102 | Desain Konten Videografi | 3 | 5 |
| 64 | A16.5103 | Desain Produk | 3 | 5 |
| 65 | A16.5104 | Manajemen Kerja Videografi | 3 | 5 |
| 66 | A16.25001 | Cinema Obscura Practice | 3 | 5 |
| 67 | A16.25002 | Autoetnografi Film | 3 | 5 |
| 68 | A16.25003 | Craftmanship Film | 3 | 5 |
| 69 | A16.5105 | Teknik Presentasi | 3 | 5 |
| 70 | A16.25004 | Industri Media | 3 | 5 |
| 71 | A16.1A103 | PENDIDIKAN AGAMA | 2 | 5 |
| 72 | A16.25005 | Penyutradaraan Program Digital | 3 | 5 |
| 73 | A16.25007 | Desain Sound | 2 | 5 |
| 74 | A16.26005 | Inkubasi Produk Media | 3 | 6 |
| 75 | A16.6101 | Metode Riset Produk 2 | 3 | 6 |
| 76 | A16.26006 | Pratika Pemutaran Film | 3 | 6 |
| 77 | A16.6102 | Programasi Film Komersial | 3 | 6 |
| 78 | A16.26007 | Artikel Ilmiah | 2 | 6 |
| 79 | A16.6103 | Manajemen Operasional Eksibisi | 3 | 6 |
| 80 | A16.6104 | Bisnis Pemutaran Film | 3 | 6 |
| 81 | A16.6105 | Tata Rupa Eksibisi | 3 | 6 |
| 82 | A16.26001 | Produksi Program Live | 3 | 6 |
| 83 | A16.26003 | Manajemen Konten Digital | 3 | 6 |
| 84 | A16.26004 | Program Pemutaran Film | 3 | 6 |
| 85 | A16.7101 | Metode Riset Produk 3 | 3 | 7 |
| 86 | A16.27001 | Magang Industri | 4 | 7 |
| 87 | A16.27002 | Bimbingan Karir | 3 | 7 |
| 88 | A16.27004 | Workshop Film dan Televisi | 3 | 7 |
| 89 | A16.27003 | Project Development | 3 | 7 |
| 90 | A16.7103 | Manajemen Kerja Visual | 3 | 7 |
| 91 | A16.7104 | Manajemen Kerja Penyutradaraan | 3 | 7 |
| 92 | A16.7105 | Manajemen Kerja Sound | 3 | 7 |
| 93 | A16.7107 | Bimbingan Karier | 2 | 7 |
| 94 | A16.1A708 | Kuliah Kerja Industri | 4 | 7 |
| 95 | A16.7102 | Production Designer | 3 | 7 |
| 96 | A16.7106 | Kuliah Kerja Industri | 4 | 7 |
| 97 | A16.1A801 | Seminar / Pitching Karya | 3 | 8 |
| 98 | A16.1A802 | Tugas Akhir | 6 | 8 |
| 99 | A16.28002 | Tugas Akhir | 6 | 8 |
| 100 | A16.28001 | Pitching Produksi Film / Televisi | 3 | 8 |